Neukirch explores repetitive material in its static and fluid forms as well as its evoking psychophysical effects. She delves into techniques of minimal music and modular synthesis and blends it with sublime essences of sacral music. Within this practise,

she composes with partly homophonous, partly polyphonous objects, such as bordunes and modulating sequences as textures that invites contemporary spiritual seekers to
states of contemplation.